What a story is, is devious. It pretends transparency, forthrightness. It engages with ordinary people, ordinary matters, recognizable stuff. But this is all a masquerade. What good stories deal with is the horror and incomprehensibility of time, the dark encroachment of old catastrophes…Joy Williams (via mttbll)
It is a curious thing, but as one travels the world getting older and older, it appears that happiness is easier to get used to than despair. The second time you have a root beer float, for instance, your happiness at sipping the delicious concoction may not be quite as enormous as when you first had a root beer float, and the twelfth time your happiness may be still less enormous, until root beer floats begin to offer you very little happiness at all, because you have become used to the taste of vanilla ice cream and root beer mixed together. However, the second time you find a thumbtack in your root beer float, your despair is much greater than the first time, when you dismissed the thumbtack as a freak accident rather than part of the scheme of a soda jerk, a phrase which here means “ice cream shop employee who is trying to injure your tongue,” and by the twelfth time you find a thumbtack, your despair is even greater still, until you can hardly utter the phrase “root beer float” without bursting into tears. It is almost as if happiness is an acquired taste, like coconut cordial or ceviche, to which you can eventually become accustomed, but despair is something surprising each time you encounter it.Lemony Snicket, The End (via observando)
It’s OK not to be a genius, whatever that is, if there even is such a thing…the creative life may or may not be the apex of human civilization, but either way it’s not what I thought it was. It doesn’t make you special and sparkly. You don’t have to walk alone. You can work in an office — I’ve worked in offices for the past 15 years and written five novels while doing it. The creative life is forgiving: You can betray it all you want, again and again, and no matter how many times you do, it will always take you back.Lev Grossman manages to smash “you don’t have to be a genius” and “keep your day job” into his great essay, "How Not to Write a Novel" (his book, The Magician’s Land, is out this week)
Some years ago, a child was askedJack Gilbert, from “A Man in Black and White”
whether he liked radio or television best. The boy
said radio, because the pictures were better.